Published!

As of today my book, Sacred Fire, Holy Well; A Druid's Grimoire, is available only from ADF Publishing (though it isn't listed there, yet...), and through various retail outlets, including Amazon.com. The Amazon price is actually lower than the Lulu price, and shipping is cheaper too, so I have no regrets. ADF Publishing did a fine job moving this along, and we're still using on-demand printing, so it will be easy to make small changes if needed. Look for the cool new hardback spellbook that will be a companion to SFHW to be up on Lulu in a day or two.

Progress Report...

Back from Summerland festival, the last of my wacky two-month festival extravaganza. Now I must return to work on the Book of Nine Moons. My goal is still to have the first 3 months of the complete instruction done in the next few weeks, and I think I’m in reach of that.
For my own sake, and for those of you who care, here’s my progress report and still-to-do list for the first three months of Druidic magical training:
• The First Moon is complete
• The Second Moon is complete, though I feel there may be an article needed on the self-awareness work in this month.
• The Third Moon seems to require only the rite for consecrating the Cauldron of Blessing. I should be able to get that done toot sweet!
• The Fourth Moon requires instructions on working with the Inner Grove, and using the Two Powers for health and healing, and the actual trance script and rite for both.
Beyond that I haven’t even done detail outlines yet – that’s next for the fifth and sixth months.
Actually, I guess that’s why I haven’t been too worried about my deadline – I actually had a lot of the first three months done before Starwood!
So, in the first three Moons of the nine-month retreat the student will:
• Begin learning the cosmological meditative practice that is the ‘mystical’ element in this program. The first three phases will take her to the Three Cauldrons phase.
• Practice divination regularly, performing at least a half-dozen readings for himself and others.
• Begin journal work with a self-introduction and other self-awareness exercises.
• Begun the work of trance-vision, learning to step into vision and to begin finding and making the Inner Grove.
• Perform rites for personal blessing, to introduce herself to the spirits, to consecrate a talisman of protection, to create a shrine-idol for the Dead, and to create his own Cauldron of Blessing for magical rites.
Still sounds dense, but then I’ve always meant this approach to be a concentrated ‘retreat’ of the sort used by other training systems. For those who want to work diligently much can be accomplished in a short time. Even those who need to work more slowly will be able to move along one section at a time, with a clear outline.
On we go – let’s try to have the next three months done by Yuletide, shall we? Hmmmmm?

A Charm Upon Rising

OK, so I like writing in iambic quadrameter. I must, because I notice that I'm doing it a lot. I'm getting back to work on the Nine Moons, and noticed that while I prescribed a morning gaelic-style water-pouring, I had no text for it. Here is one, vaguely based on themes from Scots morning charms, but set firmly in rhythm and meter, as I think Druidic charms ought to be. It's ultra-simple, but that seems proper for this equally simple custom, and since it's followed by actual shrine work.

A Charm Upon Rising
To gain the blessing of the day, take fresh water to the eastern door of your home, and pour it outside the doorstep, saying:
Thou Shining Ones of Moon and Sun
Oh Mighty Ones who guide our way
Oh Noble Spirits, every one
Guide and ward me on this day

Let me walk in wisdom’s light
By virtue, strength and love’s own way
My word and deed be true and right
Keep and teach me on this day

Oh Fire and Water shine and flow
By Sun and Earth I greet the day
Take you this gift now, as I go
Along my road, my path, my way.

A Charm for Lughnassadh

Late but still here, for archival purposes...

The Lughnassadh Charm
Feast of the Bright One, Rising!
Corn Growing,

Peace Reigning
Oath Taking,

Comes Reaping
I keep the

Feast of Lughnassadh!
Lugh Samildanach,

you I call
Master of All Arts, Wanderer and Trickster
Hound-God, Raven God
Take now this offering here at my Fire
Lugh Lamhfada, you I call
Spear Bearer, Young Hero
Throne Winner, Giant Slayer
Take now this offering here at my Fire
Thou Lugh the Champion
Lugh the Crowned One, Lugh the Skilled One
Beneath the circle of your Shield,
I give you this due offering
Land grow ripe and full and gold
Beneath the Sun and the Thunder
Peace among folk,
Wisdom, strength and hospitality
Join my heart with the Folk and the Land
In the Blessing of Lugh of the Spear!
So, all you Powers, I give you welcome at my Fire. Let your light be reflected in my spirit, let your ale flow in my veins. I raise this glass to you, and drink to your divine power. Let me know the health, wealth and wisdom of the Gods and Spirits on this holy feast of Lughnassadh! So be it!

Work on a high place if you can, perhaps a green meadow. Offerings of ale, bread fruit and oil are proper.

The Coolest Thing I've Seen This Week - Yet

I *am* nearly out the door for that Brigadoon with Nipples - Starwood. But I was looking for a copy of Zappa's "200 Motels" to show my kid the classic rock head. It isn't on DVD! as far as I can tell, but I ran into this on you tube. It's nearly nine minutes long, but just soooo cool.

Please join me in lighting some incense and pouring That Elixir for the spirit of the Hero Zappa

July Is Starwood Season, Not Blog Season

OK, obviously I won't get anywhere near the 4 posts I've been trying to do minimum during this month. I could write some musing about Starwood, and the 30 years of work we've done to keep it rolling, and the groovy thing is has become, and it's groovy offspring, too.

I don't have time for that any more than I do for more cogent posts on the Nine Moons project or any other cool stuff. I just spent a number of days typesetting the 64 page program booklet, doing copying, packing my own stuff, etc, and it's Starwood on my mind. So I'll take a minute and list some non-ACE websites about Starwood.

This is cool - ultimate Starwood camping list - all I'd add is a 10x20 Hercules Canopy. There's really a lot on Youtube - and Stang's Jesus Stain vid keeps getting hits. Incidentally, we keep looking over our shoulder at the giant chain of hotels and resorts that use the name Starwood - but I'd assert we had it first, way back in 19-hunnert-and-81. Good to get mentions from musicians, especially after the fact. I've just learned about 'nings', and there's one for Starwood, too.

Anyway, I'm looking forward to cool occult discussions with the gang at the fest, and maybe cornering Isaac and Skip to work toward the next step in the Initiate's thing. I'll be out of touch for days now, so enjoy your Summer here in North America, and deal with winter if you;re not.

Magic in the Grove

The Place of Magical Arts in ADF

This is a piece I was asked to write for the upcoming ADF Grove Organizer's Handbook revision. The editor felt it needed a basic position paper on 'magic' in adf. Comments welcome - this is very much a first draft.

The meaning and use of ‘magic’ (I will refrain from using the ‘k’ that some attach to the common spelling, since that has associations with specific schools of practice outside of our own) in our Druidic practice is an important issue. Throughout the Neopagan Movement the term magic is common, used with a variety of meanings. To some it refers to all the ‘occult’ methods involving spells, charms, spirits and divination. To some it refers to the intrinsic wonder and mystery of the cosmos, or to the ‘energy’ that underlies existence. Some say that magic is something you ‘are’, not something you do, while others that it is a skill as much as a talent. Some see magic and religion as nearly opposites; some see them as nearly identical. There is a simple reason why ‘magic’ has such a confusion of definitions – it has in fact no clear meaning in an Indo-European Pagan context.
In the process of building an ADF Grove you may find yourself dealing with issues surrounding ‘magic’. Your new members and guests from the broader Pagan community will bring their own assumptions and ideas, and you will need to have a Druidic answer or three ready. This article is meant both to introduce a few scholastic basics concerning magic in IE Paganism and some of the real uses of magical skills in a Druidic context.
Whence Magic?
The roots of the term ‘magic’ are in the culture of archaic Greece. The Greeks were cousins of the Persians, who’s traditional Fire-priests may have been called Magi (sing. Magu). The term is nearly lost in Persian, but occurs in Greek beginning roughly in the 500sbce. Indo-Iranian priestcraft seems to have included the performance of rites meant to provide individual clients with practical goals such as fertility, wealth or the removal of ill-luck. Whether it was wandering members of that caste or merely imitators cashing in on their mystique, by 500bce there were people known in Greek as magoi, practicing mageia or magike. These figures traded in spells, blessings, dealings with spirits and the offer of spiritual experiences through secret initiations. This complex seems to have appeared foreign to the Greeks and they came to view much of it as impious and suspect. What began (and continued) as plainly sacred practice in one Indo-European culture became a complex of marginal and suspect practice in another.
If the Greeks were suspicious of the use of spiritual arts for personal goals – that is, of magic – the Romans were more so, and that suspicion passed to the Christian empire in turn. Our modern default ideas about what categorizes magic remain based on the notions of the late classical Greeks and Romans. However when we examine other IE systems we find very different attitudes.
The basic skills of what has been called magic are identical to those that are used in Pagan religious practice. Invocation of the divine, the use of herbs and stones, signs and symbols, the consecration of objects with spiritual power, the knowledge of times and seasons, all are part and parcel of traditional Pagan ritual. While all of these skills are used in the service of the Gods and the folk they can also be readily applied to the needs and will of the individual. It is the varying attitudes of IE cultures toward the private use of spiritual arts that determines their attitude toward what we call magic.
If I were to offer a definition of magic it might be: “Specialized spiritual skills employed for personally willed goals.” The core elements of Pagan religion are those employed by magicians and priests alike, and often for the same goals. Within this basic definition we can look at a couple of important basic distinctions.
Theurgy and Thaumaturgy
One basic set of categories divides specialized spiritual arts according to intention. Theurgy (Gr. ‘divine working’) is the use of spiritual skills to produce personal and group religious or spiritual experience at will. Thaumaturgy (Gr. ‘wonder working’) is the use of spiritual skills to create specific effects in the world. Wealth, health, love, and all the common goals of ‘spells’ might result either from theurgy or thaumaturgy. Thaumaturgy would seek them directly – theurgy would offer them as a side benefit of spiritual progress.
In the ancient world theurgy was part of the work of any skilled priest. Knowledge of the symbols of and calls to the Gods, of the proper use of images and physical anchors for the spirits, of the uses of herbs and stones and the hidden powers of things, of oracles and seership were all integral with IE religion. In later classical times traditional religion was challenged by Christianity and other ‘mystery’ religions. In response the traditional skills were reformulated with a focus on solitary or small group ritual. Greek thinkers debated whether these practices belonged in the less-than-reputable category of magic, and the Christian authorities placed it firmly there.
Thaumaturgy has always had a distinctly less savory reputation, but has always been studied and practiced. While there were many honest purveyors of spells and spiritual support, marketplace fortunetellers and sellers of charms were probably more common than wise men in towers. Some IE systems seem to have allowed the priesthood to work such arts for individuals, while others forbid it. Of course when the community required thaumaturgy, such as rainmaking or the cure of blight on the cattle, the priesthood’s thaumaturgical skills would be expected to be up to snuff.
Public and Private
Another important set of categories describing spiritual arts is the distinction between public and private rites. Pagan religion was decentralized, and personal and household religion was often handled by the household members. There was, however, a suspicion of rites done in secret. Among the Romans one simple distinction between an invocation and a ‘spell’ was that one was spoken plainly aloud while the other was whispered in secret.
In some IE societies the learning of these specialized spiritual skills seems to have been fairly tightly regulated by societal norms. The Celtic Druids and Vedic Brahmins seem to have had a firm apprenticeship system in which learning was limited to those who could find a teacher to accept them. However cultures with literate records of the arts would certainly have had a degree of ‘leakage’, perhaps producing self-proclaimed wonderworkers and gurus. The limitation of higher-order spiritual skills to a trained elite probably contributed to the mythic image of the ‘wizard’. The leakage of the ‘secrets’ into less approved hands helped to produce the sense of ‘forbidden arts’, even before Christian dominance. Since these arts produce powerful effects they traveled widely in a way that tended to transcend caste and other proprieties that made them subject to the public disapproval of priests.
So we can say that in some sense magic is private spiritual practice outside the control of the social authorities. When these skills, often developed in private by priests, are brought into the public temple they are usually used quietly, while the folk sing the hymns and watch the offerings. However in our modern Pagan milieu it is much more common to involve even the casual congregation in the deeper spiritual work of the rites. Once again the distinction between magic and religions blurs almost to the vanishing point.
Magic in ADF
Most of the practice of magical arts in ADF is focused on the theurgic work of our Order of Ritual. The willed intention that we bring to our High Day rites is to create an environment where mortals and the Powers can see one another, and be seen, and we can gain the blessing of the Gods and spirits. We employ ritual, trance, symbolism and offerings – all the elements of theurgy – to draw the blessing of the spirits to our Fire.
Through this we mean to have an effect upon the participants. We bring the presence of the love and power and wisdom of the Gods closer to our mortal lives. We ask the Holy Ones to bless us with health, wealth and wisdom. Sometimes we choose to direct this blessing by our conscious will. Very often we simply rely on the proper turning of the Weave of Fate, with the power of the Gods and Spirits who wish us well, to bring us what we need. You won’t hear a lot of discussion in ADF about ‘trusting in the Gods’ but there is an element of that in our works of blessing.
So as you begin to develop your skills for ritual, remember that on one level your task is to help the folk make magic. Attend to your own practice of mental discipline, and to your own devotions to the Gods. When you approach a High Day rite, especially as one of the ritualists, consider doing preliminary offerings to the Gods at your Home Shrine. There are several instructions for the patterns of visualized Inner Work for our Order of Ritual. Practice those and make an effort to apply them when you celebrate public rites.
Thaumaturgy has gotten less attention than has theurgy in our sacrificial rites. The Order of Ritual has been variously adapted for spellbinding. One rite for group practical work (http://www.stonecreed.org/rituals/blessing.htm ) uses the standard Neopagan method of ‘power raising’. After receiving the Blessing the members present the candle or token they wish to bless, speaking their intention aloud. Chanting and drumming are then used to alter awareness and focus intention to ‘charge’ the tokens. My own work in my book “Sacred Fire, Holy Well” offers a full system of Druidic ‘spellwork’ and other magical skills. In general most of the methods in common use in traditional later-period magic grow from practices common in Indo-European cultures. Images, talismans, spoken and sung charms, the ‘conjuration’ of spirits all seem to extend far beyond the late classical world into the past.
The practical application of spiritual arts as ‘spells’ or ‘magical works’ has had a very limited role in ADF overall to this time. While all the elements of such work are available in our context our focus on receiving all good things through the Blessings of our rites has made the need for tinkering with events through spells a tertiary matter. That said, we are working to build the presence of practical magic in our work. Our Clergy and Initiate’s program requires all students to try their hand at practical work, and no doubt some of us will find a knack for one or another skill. By whatever name we seem to intend to train our Druids by giving them experience of invocation of the divine, of work with spirits, divination and spellcraft.
Conclusion
These skills of practical spiritual arts are inherent in ADF’s design and practice, but are just beginning to find expression. More generally, spiritual arts are applied in all well-worked rites. What western ‘occultism’ has sometimes referred to as ‘high magic’ is itself an inheritance from Pagan religion. Cleansing and purification, invocation, divination and consecration play a part in every Druidic rite of worship. These skills can also be applied in service to individual practical goals, but our work is more concerned with the Blessing of the Gods and Spirits, and the finding of harmony between the individual soul and the World Order. That is the heart of the magic of Our Druidry.