Monday, April 11, 2011

On Archetypes

Modern magic (and Pagan religion) has on an going in-house discussion about the nature of the Gods and Spirits, and of spiritual existence itself. Some folks assert that the mythic description of the spirits is essentially correct. There is a paralel world - the Astral Plane, or the Otherworld - in which spirits exist as independent personal beings. Others assert that spiritual phenomena - gods, spirits, 'energies' etc - are purely mental constructs in the individual, connected through cultural linguistic contact pur existing only as 'complexes' in the mind. The Jungians go their further step with old Carl's "collective unconscious", itself pretty similar to the astral plane.


In working with a public pagan group that deals with the spirits on a straight-up mythic basis this discussion comes up often enough that I've developed a little model for how the two positions can be reconciled while doing damage to neither. I systematized that nicely in a post to a list today, so I thought I'd post it here as well.

1: The Cosmos is holographic - the whole is repeated within the parts. Especially, the human microcosm reflects the macrocosm.

2: The Gods exist in the macrocosm.

3: Therefor, their reflections exist in each individual human microcosm. These reflections are what Jung perceived as the 'archetypes'.

4: Thus, when we invoke the Gods, and they draw near to us, their reflection draws near to our conscious awareness. Often it is only these internal daemons of the Gods that we actually perceive in our invocations, and that can be sufficient. The Gods act as and in those reflections just as they do as and through an idol of gold. Sometimes we are able to expand our awareness outside of our microcosmic bubble, and perceive the God more directly... Those are the big events...

So, while I dislike psychological reductionism in magic and religion, preferring a directly mythic approach, my model has a nice organized place for Jung's archetypes. Remember, it's only a model...

Thursday, April 7, 2011

Nine Moons Major Update

OK, things are under way. I’d like to thank folks who bought the early edition of the Book of Nine Moons. Little Ian won’t go to bed without occult books tonight…
I have a small group of students working their way through the program, though it is early days yet. Even so, an examination by students has shown me many ways that the material could be improved. Not just the inevitable typos, but actual structural problems as well.

So, what I’m going to do is to withdraw the public offer of the Book of Nine Moons, as of May 1st. The students working the program will continue, and anyone who bought the book and wants to work the system can join the Yahoo group for support by writing me and asking. ADF members who have completed the DP will also be able to purchase the book and do the work. Once more students have worked the system, I’ll probably reissue it as a public offering, though there’s a chance that it will remain an in-house publication of the ‘hedge school’ of people working the system.

Also by Beltaine I’ll be issuing at least one new publication based on the Nine Moons material. Readers here may recall that I have promised a system of Pagan spirit art. Well, that material got subsumed in the Nine Moons stuff. So I have re-edited it and added additional support material, and will be publishing it as “The Book of Summonings – A Grimoire of Pagan Spirit Arte”. Those who have already purchased the Nine Moons book have 90% of the material in the Summonings book, though there is some unique new stuff.

So this is a promise and a warning. I will be publishing the Book of Summonings and withdrawing the Book of Nine Moons, probably for a year or two. If you bought the Nine Moons, you should think thrice about paying for the Book of Summonings – too much duplication. However if you didn’t think a months-long program was for you, you may be interested in the more direct (though still not ‘easy’) work of Summonings.

As a teaser, here’s the introduction to the Book of Summonings:

Book of Summonings, Introduction


The history of our neopagan revival has been the story of modern people using the best scholarship available to them in their own time to create new systems intended to resemble the Old Ways. This was true of MacGregor Mathers, who drew on newly discovered greco-egyptian sources and the artifats of early-modern occultism, which have only become obsolete as better translation were completed. It was true of Gerald Gardner,who relied on the ideas of Murray and Michelet, both entirely respectable in the time when he was designing his work. The rise of ‘shamanistic’ magic in the late 20th century resulted from new work by academics, and the various ethnic ‘reconstructions’ of Paganism all seek to keep up with the most current notions of just what ancient Paganisms looked like.

In Our Druidry (ADF, the Neopagan Druidic order in which I work) we have sought the same - to build modern ritual systems based on the ancient ways of Indo-European cultures. In this we have drawn primarily from the limited material available through history and archeology. However we have also found it neccessary to draw upon living examples of polytheism and polytheistic ritual from non-Indo-European cultures. Both African and Asian ritual have influenced us, though of course much of Indian practice is as Indo-European as the Vikings. In the same way, West African ways have strong Indo-European content - we refer to a cultural stream, not to any ‘race’.

Modern Paganism has often involved a view of magic as the use of ‘occult energies’ that are channeled and directed by the will and body of the magician. While this kind of work is common in Asian magical systems, it is much less easy to demonstrate that it was present in European mysteries and magic. It seems much more common for both ancient European Pagans and modern tribal polytheists to view magic as the art of contacting and dealing with spirits - of their Gods, of the spirits of nature and, always, of the dead. In an effort to find out what the ancients knew and did, modern mages are returning to an active approach to the spiritual as groups of beings – spirits – with whom we make alliances and relationship.

One neglected path of research for Druids has been the native magical traditions of Europe as expressed in literate magic of the medieval and later periods. We have been very willing to examine ‘folklore’ from those periods, but much less willing to consider that the grimoires of spirit-arte might have something to teach about Pagan magic. Modern research is pointing to a fairly direct train of transmission from the late classical magic of the Greco-Egyptian Papyri and neoplatonism, through the Byzantine and Muslim worlds, to the ritual magicians of Western Europe in the 15th century and later.

Within the literature of ritual and spiritual practices preserved from ancient days is a stream of magical practice that has been largely ignored by reconstructionists – the grimoiric tradition of spirit-arte. The grimoires known to modern magicians – the Key of Solomon, the Lemegeton, the Grimoirium Verum, Abramelin and their imitators represent efforts by 17th, 18th and 19th century magicians to systematize and teach their understanding of the basics of dealing with the spirits. A ‘grimoire’ is a ‘basic book for students’.

Methods, ritual forms and even spirit-names in the grimoires can often be traced back to models in the Papyri and other late Classical sources, suggesting a chain of inheritance of material from Pagan times, preserved under the heretical Christian veneer of post-renaissance occultism. This should make this tradition of magic of real interest to those who would like to work both Pagan religion and Pagan magic. However several things have conspired to reduce Pagan interest in these systems.

The work presented in the grimoires is done under the presidency of the Judeo-Christian deities and angelic hierarchy. This makes the whole business feel ‘unpagan’. The Angel/Devil moral dualism renders the methods of dealing with the spirits coercive and oppositional. Pagans have long felt that grimoire methods insult the spirits.The goals of much of the work are pretty worldly – love and money, wisdom and success.

This works intends to be an answer to those objections. In it I will present a model of spirit arte informed by the grimoiric process, but applied in a polytheistic, animistic context. The work at hand is done under the rulership of the Gaelic Gods and Goddesses,worshipped in our Druidic way with sacrifice and praise. The approach to the spirits is animistic and relational. Drawing lessons from modern polytheistic systems we base our work on offering and blessing, on do ut des (I give, so that you may give), as the Romans said it. Instead of the grimoiric oppositional relationship with the Spirits, we enter into a relational one. We make offerings and ask boons in turn, based on honor and truth. While some classes of powerful and dangerous spirits may require ‘bindings’ and protections, the core of this work is about partnership.

On the other hand, no apologies are needed for a focus on practical magic. This subject is mainly about practical magic – the ability of the spiritual operator to Get Things Done. Work done for theurgy is related, in that theurgic success brings power for thaumaturgic success, but this kind of spirit-arte is about results. The work in this grimoire is, in many ways, perparation for more practical applications. It will allow the students to make the initial contacts and empowerments needed for successful spellwork.

In this guide I will present a simple yet complete method of entering into first a worship relationship with the spirits, and then a working relationship. This work is Pagan in nature - built on a mutual bond of sacrifice and blessings between mortals and the spirits. Those who have spent some years in basic pagan worship, keeping the seasons, honoring the deities, perhaps working with the Landwights and the dead, will be best prepared for this system. Pagans who have not made formal offerings to the spirits will find a great store of power to be had in the practice. The simple rites in the first section are sufficient to begin, though it would be best if they were given for some time before undertaking more formal approaches to the spirits.

I hope this system helps to move Pagan magic forward toward a more active engagement with the spirits, and I hope it allows individuals to gain a stronger personal power, that the Work of the Wise may be increased, for the good of all beings.


Concerning A Few Assumptions

It might be useful to list a few of the author’s theological and cosmological assumptions. I’ll do that here, because I intend to spend very little spce on them in the rest of the book, which is primarily a manual of practice with just enough theory to ground the student.

• Polytheism: The divine manifests in the worlds as an uncountable number of individuals. The mightiest of those, and those who enter into blessing relationships with mortals, are often called ‘the gods’. “The Gods are many.”

• Animism: That material existence is interfaced with a kind of informational alternate existence, in which specific objects exist as specific beings. “All things have spirits”

• Humanism: That the human spirit is a spark of the divine, and that individual humans can have individual spiritual authority and power. “The Power is there to be had.”

• Cosmicism: This is an archaic approach, in which the concept of antagonism between dark and light, chaos and order is simply not a part of the world of mortals or spirits. In the archaic understanding, the war between primal Chaos and powers that establish the Order of the Worlds was concluded at the dawn of time. The Old Giants, Titans, Fohmoire,etc are a part of the World Order now, sometime allies, sometime lovers, sometimes opponents of the Gods, but all within the Cosmos. “The World is Good”

Thus, in the mythic setting of this system of magic, there are no Archons. We do not live in a prison of matter and form, but rather in the true and holy garden of the worlds, taking our place in the Great Dance as the wheels turn. While conflict is a natural part of living in a system with no Supreme Being, those with strength and wit can make the manifest world their delight and their academy.

If I were to define any ‘mystical’ goal connected with this work, it might be to expand mortal awareness to comprehend and indwell the Cosmos itself. From such a position the Magician is empowered to deal with any spirit.

This set of axioms produces a spirit-arte that is characterized by several things:
1:Personal Authority: The magician has power in the work because of both her intrinsic divine nature as a spirit in flesh, and because of the magical efforts made in training and preparation. We stand before the spirits not just as agents of a higher power, and not as mere supplicants, but as beings with authority, who can deal with the spirits directly.

2: Hierarchical Authority: The magician also equips himself with alliances among the spirits, including and especially an alliance with one or more of the Gods. The work in this book is placed under the names of the Mother of All and the Keeper of Gates, as we call them. If you bring your own alliances, you should include them in the rites given here. By keeping our roads of offering and blessing open we are able to act among the spirits with the protection and power of the god.

3: Reciprocity: Despite this emphasis on authority, the system is not based on ‘commanding’ the spirts, so much as on negotiation, and on mutuality. When we work with a spirit we make offering to it. This may be as simple as incense, or bread and oil on the fire, or hatever simple thing the spirit asks for the partnership. The choiceto accept the mutual pact is on both parties - the magician need acept no terms he cannot meet. Once made, simple observance keeps the spirit near and ready to aid the mage.

In this way we intend to offer a system that is aligned with modern ethics and with Pagan spirituality. We remove the remnants of dualism, step back past the mythographic wreckage of the early modern period, and reject the enslavement models of some Grimoire systems. We replace them with a human-friendly cosmos, many Gods to choose from, and an approach to the spirits based on respect and prudent alliance.

Sunday, March 20, 2011

A Blessing of Seed

Just a short charm for seed-blessing. The main poem is Paganized from the Carmina Gadelica, but it's pretty thoroughly mutated. It's set in a group context, but would be easy to adapt for solitary work. A blessed spring equinox to all - may the rising light bring strength and hope to all who have special need of it this season...

A Seed-Blessing Charm

The folk come forward and place their seeds and eggs and intentions into the vessels. The speakers come forward, and the Druid takes a small handful of seed and holds it high. The speakers recite:

• I will go out to sow the seed
In the names of Those who give it growth
I’ll turn my face into the wind
And throw a proper handful high
• The grain that falls on stone shall find
No goodly soil in which to grow
But all that falls on Mother Earth,
The dew will make it to be full.
• The Holy Feast the Day Auspicious
The gentle dew will softly welcome
Every seed that has lain sleeping
Since the frost of winter’s coming
• Every seed takes root in Spring-earth
The King of Summer shines, desiring
That green may come forth with the dew
And draw its breath from soft spring winds.
• I will come round with my step
Rightwise round as turns the sun
In the name of the Queen of the Nobles all
In the name of the Lord of Growth and Beauty
• Lord and Lady, Noble beings
Give you growth and swelling substance
To every seed, in heart or furrow
As the Season of Gladness waxes warm.

All join hands, drums start and all sing, dancing if they will:

Lord and Lady hear your people
Bless this seed by earth and sun
Grant it growth and bring us blessing
Keep it til the reaping’s done

Sing until a stop, then the Druid recites:
Long have we slept in winter’s dark. Now let the light rise in our lives as it rises in the world. Let the waters flow and the seeds grow, and the blessing of sun and earth bring us life, love and laughter.
So be it!

Monday, March 7, 2011

Upcoming Class...

The Way of the Magician
Beyond Spellcasting, to Living a Magical Life
Friday March 25th – 6:30 – 9:30pm - $25
Aradia’s Garden
34510 Lakeshore Blvd.
Eastlake, Ohio 44095
440-975-1911

The topic of the practice of magical arts – spiritual skills used for personal goals – covers a huge variety of ideas and methods. From psychic powers and divination to the hidden uses of natural things such as stones and herbs; from working with the spirits to channeling the energies of the cosmos, from tarot cards to gris-gris bags, magic encompasses much of humankind’s spiritual heritage. It can be easy to get a little lost in the maze of techniques and theories available to students.

In this intensive workshop, Ian Corrigan presents core concepts and practices that can help to tie your spiritual work together. The old cliché says “(whatever) isn’t a hobby, it’s a way of life” and it can surely be true to say this about magical arts, especially in our new Pagan ways. In this discussion we’ll combine lecture with exercises and examples to show how Pagan Magic can be a path to growth in wisdom, love, and power.

Topics include:
- Magic, Religion & Spirituality – three faces of the work.
- Magus, Witch & Sorcerer – a short discussion about style
- Magic & Virtue – freedom & obligation
- Your Own Temple, Your Own Priest
- Building Personal Power
- The Two Powers & the Three Cauldrons – Energy-work patterns drawn from ancient Irish symbolisms, used by modern Druids.
- Honoring the Spirits – a simple charm to draw the Gods and Spirits toward you in love and respect.


Ian Corrigan has been learning and teaching in the Pagan community for over 30 years. He is an Archdruid Emeritus and a Senior Priest of Ar nDraiocht Fein (ADF), who worked with Isaac Bonewits in the creation of that Pagan Druidic system, and is a primary author of ADF’s basic Pagan training. He is the author of Sacred Fire, Holy Well – A Druid’s Grimoire and has just released a full basic training program in Pagan occult arts called The Book of Nine Moons. Ian holds a 3rd Degree in traditional Wicca, and has spent a lifetime studying and practicing both Pagan religion and magical arts. His workshops combine sharp insight with practiced teaching skill, experienced commentary and reasonably-successful attempts at humor.

Saturday, February 19, 2011

Nine Moons Study Group – Second Call

The initial group of students for the Nine Moons Pagan Magical Training system will be beginning the work on New Moon of March (approx 3/4/2011).
Qualified students have completed ADF’s Dedicant Path training, and are interested in a focused intensive training in magical arts based in the symbols and ritual patterns of Pagan Druidry. Interested parties who have not completed the Dedicant’s work should write me directly with a short description of background.
The Book of Nine Moons is the primary text for the course, available at:
http://www.lulu.com/product/paperback/book-of-nine-moons/14595026?productTrackingContext=author_spotlight_223978_

Members of the list are expected to have purchased the text. It will also be very useful for students to have my previous books, especially Sacred Fire, Holy Well: (http://www.amazon.com/Sacred-Fire-Holy-Well-Grimoire/dp/0976568128/ref=sr_1_1?ie=UTF8&s=books&qid=1251725405&sr=1-1 )

This is a second call for students who would like support and mentoring in this system to join the discussion group. The Yahoo group will include support files, additional notes and of course the chance for direct Q&A both with the designer of the system, and with other students.
Eligible students (ADF Dedicants who have purchased the text) can write me at any time to be added to the list. We won’t do this in “classes” – join when you please, and hopefully the list will have students in front of and behind you to chat with.

Put your email in comments, or find me on Facebook (Ian Corrigan) or email me and I’ll send an invite to the private group.

Two weeks until the fire is lit, and the work begins.
Blessings
Ian.

Wednesday, February 16, 2011

Witchcraft, Paganism and Folk Magic

Despite my 20 years of self-identification as a Druid, I spent my early years seeking to be a Witch. This was back in the 1960s and 70s when there was no such thing (mostly) as self-initiation, and no non-initiated popular 'Wicca'. In the occult fashions of the period, Witchcraft was understood as a religion, one that taught the practice of magic, and that's what I looked for, and found. You can read some of my stuff on all that, and on the history of the idea of the witch in a back post here.
This post is an effort to compose my mind around the relationship between the terms and concepts 'witchcraft', 'Paganism' and 'folk-magic', sparked by discussions on a Traditional Craft list I've been reading. If any of those readers find this controversial, I can only express my respect for the feel and content of the work being done under the Traditional Witchcraft tag, and plead a hardened and skeptical mind...

I’m confused. Or rather I can’t tell whether I’m confused – and that’s really confused.
For the past several years I’ve been reading various books and articles and blogs discussing what is now being called ‘Traditional Witchcraft’ or ‘the traditional Craft’. These books present a form of magical practice, and sometimes of Pagan religion, that claims to represent forms of practice and belief older and more authentically structured than those of the Gardnerian and Alexandrian Crafts, and their popular imitators. Because of my general understanding of the ‘occult’ scene – i.e. that it is traditional to back-date materials and claim lineage and history that one does not have – I have tended to discount the claims of greater age. Because of some obvious-to-me failures of folklore and scholasticism, and because not a single secret document or old artifact has been revealed by any of these systems, I have tended to discount claims that it represents survival Paganism any more than does post-Gardnerian Wicca. So, in this little discussion I mean to set out my thinking on the topics of the survival of Pagan ways into the early modern period (1.e. 1600-ish and later), and how that relates to the practice of magic and other ‘occult’ traditions along the way.

Pagan SurvivalFirst, I still consider it entirely unlikely that worship of European Pagan deities consciously continued into modern times from the late Pagan and medieval periods. There are a couple of possible exceptions, such as the Baltic cultures and possibly a trickle of direct survival among Scandinavians. Baltic Paganism was firmly living in 1250 ce, and some Baltic folk customs have certainly continued unbroken. But even they have trouble showing continuity through the late medieval, and many of the ways were ‘revived’ in the folkish rediscovery times of the late 18th and 19th centuries.

In Western Europe the case is much weaker. Folklore collections of the early modern period do find traces of memory of Pagan images and vocabulary, and literate magical tradition, largely unbroken since the fall of Rome, would flower in the creation of what we call the grimoires in the 1700s and 1800s. In those magical basic-training manuals you can find a few garbled remnants of the ancient Gods, and a great deal of ritual action that is authentically old. However, the possibility of deliberate worship of the classical Gods apart from the seven planets of astrology seems to be undocumented in any way. There are no folkloric or personal records of rites of Pagan worship from early modern times, and those could not have been any more illicit than the manuals of demon-summoning that were extensively copied and distributed. If there were a tradition of Pagan magical and ritual practice that lasted into literate times I’d expect it to have left some remnants.

If we want to measure whether or not some bit of folk culture is “Pagan’ or not, we might use several different standards. Most obviously, we can ask whether the material involves the active worship of Gods or spirits identifiable in pre-Christian sources. In almost every case, this brings us a negative answer – early modern magical and folkloric material has very little of that. We can find a few examples in Gaelic and Scandinavian countries, such as the offering to Manannan in Scotland, or other offerings to the sidhe or troll folk. There also might be a little something in the ‘fairy evocation’ workings of early modern magicians – if we think that King Oberion is some sort of survival. What resemblance later ‘fairy faith’ customs might have to pre-Christian customs is unknowable at this time, but we might give the benefit of that doubt if we like. However, the literate magical tradition, which was so important in transmitting technique and content over the centuries, seems to preserve nearly nothing of this sort. That does not, of course, prove absence but it does make presence less likely.

What seems clear is that traffic with spirits, uses of ‘sympathetic’ magic, herbal charms, other natural charms with bones, skins, woods, etc and many other magical and occult practices did persist into modern times. Is this material ‘Pagan’? If measured by whether or not such things call upon Pagan deities, then the answer would be no. Barring a very few examples from Scandinavia, we see none of that. If close resemblance to practices and customs that Pagans would have used is our measure, there’s some chance for that to be the case. Each of the practices mentioned is clearly described in pre-Christian literate magical sources. On a spiritual level, calling upon land-wights and the dead may be as Pagan in 1890 as in 890, even if all the names have changed. Still, without a conscious intention on the part of the practitioner to call upon spiritual powers other than the Christian pantheon, (including its demons) I’m hesitant to refer to the rites used by 18th and 19th century charmers and cunning folk as Pagan. So, if we don’t classify traditional folk-magic as Pagan, shall we classify it as ‘witchcraft’?

WitchcraftThe word wicce is first plainly used in context of Pagan religion. Of course we have no Germanic mythic or ritual material written down by Pagans (nor any Celtic). Some of the first references to wicce or wicca we find are from Roman church laws and proclamations. I found:
"If any wicca (witch), wiglaer (wizard), false swearer, morthwyrtha (worshipper of the dead) or any foul contaminated, manifest horcwenan(whore), be anywhere in the land, man shall drive them out."And:
The word wicca is associated with animistic healing rites in Halitgar's Latin Penitential (c.890 ce) where it is stated that:
"Some men are so blind that they bring their offering to earth-fast stone and also to trees and to wellsprings, as the witches teach, and are unwilling to understand how stupidly they do or how that dead stone or that dumb tree might help them or give forth health when they themselves are never able to stir from their place."

These plainly refer to ‘wiccan’(pl) as religious, as well as magical practitioners – there’s little functional difference between religion and magic in many traditional cultures.

It does seem likely that a wicce in Anglo-Saxon Britain would have occupied the place later approximated by the cunning man or woman. Cures, uncrossings, finding lost things, far-seeing and fortelling, dealing with problems with local wights and ghosts would have been standard stock in trade. Because of the screen of the monkish authors, we cannot see whether these same people helped householders to make proper sacrifices, or tended forest shrines and temples, or lived as functional ‘priests’ or ‘clergy’ in villages. I suspect they did. “As the witches teach” seems to me to suggest a central place in religion as well as magic.

Other Christian descriptions of ‘witches’ and ‘witchcraft’ retain this Pagan religious atmosphere. One of the late references to Pagan deity is found in the famous Canon Episcopi (c.875 ce):
"Have you believed or have you shared a superstition to which some wicked women claim to have given themselves, instruments of Satan, fooled by diabolical phantasms? During the night, with Diana, the pagan goddess, in the company of a crowd of other women, they ride the backs of animals, traversing great distances during the silence of the deep night, obeying Diana's orders as their mistress and putting themselves at her service during certain specified nights. ... Thus they leave the true faith and fall into pagan error in believing that a god or goddess can exist besides the only God."

So from about the same period as the previous clerical reference we have Church authorities plainly identifying Pagan deity as the source of opposition. Certainly we can hold out for ‘witchcraft’ of that period to have been Pagan survival, infused with Pagan religion. This leads me to want to define witchcraft as part of Pagan religious phenomena.

So for their first 500 years or so, the church slowly ate away at the Pagan memory, outlawing the practices, destroying the shrines, and teaching the next generations. The next wave of rinsing-away of Pagan content from European folk tradition seems to have been the propagation of the ‘satanic witch’ by the church. The Pagan gods and spirits, as their ways were forgotten became replaced, in literate narratives and in folk-magic charms, by mythic figures from Christianity. Conjuring that might once have been done under the blessing of the Dead was perhaps transferred to the saints, Gods with the Trinity, etc. Wells and caves were baptised in the new religion. But whatever the church couldn’t fit into it’s ways – the wild revels, the sacrifices, the dealings with strange wights, divinations,etc, became ‘sorcery’ and witchcraft, and eventually heresy.

When the witch ‘craze’ begins, around 1400 the church produces a description of witchcraft that is once again plainly religious. Diana and the nature spirits have been forgotten, and replaced with ‘the Devil’ and his imps. The delightful Pagan revels of folk memory (and likely ongoing practice, whether with or without Pagan religious content) became the outre Witches Sabbath, reviving classical fears of cannibalism, infanticide and debauch.

The greatest blow to folk memory of Pagan ways in Europe seems to have been the Protestant reform. The destruction of the Roman church’s structures and the prohibition of their folk customs was a harsh break in continuity in much of western Europe. The Protestant leaders taught that Catholic rites were little better than witchcraft, and the image of the black-robed wizard and his book and staff owes a great deal to the Protestant memory of the Roman Catholic bishop or priest. In the end folkways often reasserted themselves, but had to be reconstructed, if only from a generation or two of lapse.

Cunning CraftSo, it gets to be 1650 or so, and Europe is blinking and waking up from the stress of the renaissance and reformation, and the birth of science, and the end of church hegemony. We see the birth of the modern wave of occultism, in the Masons and other fraternal orders, the rise of democracy and personal choice in religion, and the synthesis of ritual magic that comes through the grimoires. By this time literacy is more wide-spread; literate magic and folk-magic become closely entwined.

I think that it’s in this period that we see begin to see magical practice divorced from the popular religion of its culture. By the late 1700s both religion and rationalism argued against magic, while the popular demand for the arts remained steady. Religion was no longer monolithic or implicit, and citizens began to view themselves as having a choice as to what and whether they worshipped. The cunning man of that time might have his choice of ideas available in folkways and literature.

Here’s the thing – I don’t see why these secular-ish cunning folk of early modern times are ‘witches’. Witch in parlance by that time almost always meant malefice – the cunning folk mastered witches – that is, they defeated them. A witch-master turned aside the malefice of the witches still imagined by the rural people (or actual evil magic, on occasion, I suppose…). Of course the church’s definition made witchcraft and magic identical – all ‘magic’ (as opposed to orthodox spiritual practice, which was ‘religion’ whether or not it precisely resembled magical techniques) was powered by Satan and his demons, and all magicians had made at least a tacit pact with Satan. So when popular parlance referred to cunningfolk as ‘witches’ they didn’t mean ‘wise ones’ or ‘charmers’, they meant ‘evil magic-users’.

Looking from the perspective of practitioners I have trouble finding much of pre-Christian survival in the cunningman’s bag. Of course some of the basics of magic don’t change, but the content of the material has often been thoroughly Christianized. What has never been discovered is a cunningman’s work in which the devil is worshipped in a religious fashion, or which calls on Pagan gods or spirits (apart from the very Christianized spirits of the planets…). Just at this moment I cannot recall instruction for any cult of the dead practices, or genius-locus practice, though those could be hidden under works about ‘terrestrial demons’, etc. Of course both such spirits are employed implicitly in using natural objects, proper waters, woods, etc, but this is pretty heavily disguised or forgotten in early-modern instructions. To the extent that the cunning worker made a ‘pact’ with some local wight, I suppose that’s a Pagan element in survival.

Now, I do think it’s fair to say that revival Witchcraft has drawn on the cunningman’s sources, while adding a broader list of folklore and mythic sources as a spiritual or religious overlay. Gardner’s quartered circle, tool set, and style of circle-casting owes a good deal to the same grimoire sources that cunningfolk would have known. Methods of divination, of spirit arte and of making charms and talismans have migrated into non-Gardnerian forms of revival. However, as far as I can see, this is a case of modern revivals imitating literary sources. I have yet to encounter any evidence for direct inheritance of Pagan content. In cunning craft we find invocations of God and the Saints, the angels and archangels, demons of the sort found in the grimoires occasionally even of the early-modern notion of ‘fairies’. Most of these have little or no apparent relation to the ways of a wicce, or of a dreeman, much less of a truly pre-Christian, western European magic-user.

All of this inclines me to make a sharp distinction between the cunning man’s art and witchcraft. We have solid vocabulary words that help make sense out of magical practice – folk magic, astrology, conjury, charming, all plainly describe cunning art, while applying the strange term ‘witchcraft’ to it only seems to imply that cunning arts involved the worship of illicit (whether Pagan or demonological) spirits. While some cunning folk did describe their relation with a familiar, all is presented in a thoroughly Christian mythic setting.


Neopagan WitchcraftI define all known modern examples of conscious Paganism, including Pagan Witchcraft, as Neopagan. I remain unconvinced that active worship of the Old Gods, or unbroken pre-Christian initiatory lineages, continued in secret circles anywhere in Europe – and least likely in western Europe. Therefore all modern people who consciously worship (i.e. enter into magico-religious relationship with) spirits not from the Christian pantheon are drawing on recent (whether 70 years old or 170 years old, oldest…) reconstructions. Thus, we are Neopagans.

I disapprove of using ‘neopagan’ to refer to or exclude any specific style of modern Paganism. Hellenic or Saxon reconstructionists are as neopagan as tie-dyed eclectics with hoola-hoops. Neopagan refers to the family of magico-religious movements that first arose in the 20th century (maybe the late 19th…) in which I would include Asatru, Wicca, Traditional Witchcraft (not traditional folk-magic), Thelema, the various ethnic reconstructionisms and no doubt a long list of smaller systems. There’s some chance that Baltic religion retains some unbroken lines of practice, but even that is uncertain.

In the same way, I rather think that using ‘witchcraft’ to refer to folk-magic practices divorced from religious context is needlessly confusing, and mixes very different ideas. Witchcraft has almost always referred to systems connected with religion (apart from anthropological usage, which I haven’t dealt with here), and at least the term should be modified by whatever religious system it’s worked in. In this sense one can be a ‘Christian Witch’, even if being a Christian Wiccan is a contradiction in terms (as it would have been in the Old English usage). However, traditional magic-users in cultural intact settings simply don’t use the term ‘witch’ or ‘witchcraft’ for what they do. When you find someone using that term, it almost always indicates conscious reinvention.

Conclusion (-lessness)So, there’s no real conclusion to this screed…
Those who are attracted to the idea of witchcraft will continue to devise methods to express their self-identification. One of the things I like best about the Trad Craft trend is its interest in using authentic sources to reconstruct what a Pagan cunning practice might be like. For me, as a fairly liberal reconstructionist Pagan, I just don’t have an interest in reconstructing the world or worldview of 17th century Europe – it’s too latter-period, already too stripped of myth and mystery, with only scraps and tag-ends of the pre-Christian material that pushes my buttons. I don’t assume that 17th century folkways retain much of pre-Christian lore, and find archeology and observation of surviving tribal and polytheistc ways to be at least as instructive about what Pagan magic might have looked like as what remained in the last few centuries.

Did this walk through a confused topic make me feel less confused… maybe a little…