Showing posts with label Druidic Mystical Practice series. Show all posts
Showing posts with label Druidic Mystical Practice series. Show all posts

Thursday, February 12, 2009

Druidic Mystical Practice Pt 5: The Da Fein


This is the final phase of the large meditation pattern I've been developing, based on several complexes of Celtic symbolism. if you put all the exercises of these sections, 1 - 5 together you have the whole pattern. Coming soon I will give the whole spoken charm together, together with some comment on the overall mystical state I hope it will induce.

In a polytheistic spiritual system, it is possible to be bewildered by the crowd of spirits, of divine beings. If there is an advantage to monotheism, it might lie in its simplicity. Systems that posit a single deity make it easy, at least, to determine where to focus one’s worship. In system where the model of the divine more closely mirrors the patterns of nature, the forest of possibilities can seem daunting.

Practical Paganism addresses this problem by the creation, by individuals, of personal pantheons. Each land, each people, each village, each family hearth, even each individual has a constellation of Gods and Spirits that best suits the needs of their life and circumstances. For an ancient Pagan this process would have been a natural product of their upbringing. As modern Pagans, we work our way from our 20th century upbringings. This can make the process much more conscious and artificial, and perhaps, more difficult.

Pagans seek the divine in many places. We address the Gods and Spirits, we find the divine in a tree or a stone. However, modern Pagans may find it difficult to consider honoring the spirit of a living human as divine – including, of course, ourselves. Some religious and cultural traditions teach that humans are intrinsically unworthy, weak, even depraved or evil, requiring an external divine intervention. Even in secular discourse it seems common to devalue our human nature. Perhaps this is a reaction to the sort of recent western arrogance that considers humankind to be the ‘highest’ of all creatures. In any case, the concept of the divine present in our own human nature is not a common one in our culture.

It seems to me that traditional IE Paganism neither devalued nor overestimated humankind. When the divine can be immanently present in beasts and stones, we cannot think ourselves superior to our environment. Yet humans who do great deeds – or who simply win the love and reverence of their kin - can become objects of worship. Certainly this may happen after death, as ancestors, but it may happen even while alive. The Roman custom of deifying the ‘genius’ – the personal divine spirit – of their emperors after death has been frequently criticized by Christian historians, but it is only a state example of a custom that might extend into any village.

If we have such a divine spirit in ourselves as might be worthy of worship, then making ourselves aware of that spirit and its capacities, and working with it consciously, seems a fine goal for those inclined to spiritual work. Socrates spoke of his daimon – the spirit that advised him in his deeds. Later theurges from Hellenic nations, and various yogis and rishis of the Indic peoples developed detailed methods of approaching one’s internal divine power. We have no specific record of such things among the Pagan Celts – such practice would have reeked of ‘sorcery’ to the monkish chroniclers. It does not seem unreasonable to suppose that Druids, in the course of their searchings into the world, would have sought contact with their own Divine nature.

We must remember that in such a formula we offer worship to our own divine core or crown, not merely to the personality and flesh that we commonly identify as ‘me’. Just as when we offer to a tree we are not worshipping its cellulose and water, so we are not asking any being to worship our meat and mannerisms. It will be to our great advantage to recognize that in each of us there is a true Flame, a true Well of power and wisdom and love. Each of us contains, by right of birth, the divine.

As Druidic Pagans it is proper for us to honor the divine in every place that we find it. Thus it is reasonable for us to begin to learn how to worship out own divine nature, and those of the mortals around us. I cannot say, in this short musing, how such a doctrine may find expression in Our Paganism, but I have included a short poetic charm and exercise which could be added to personal devotions or ceremonies. I expect that the inspiration and genius of our folk will lead us to powerful expressions of the this core Pagan idea.
May we come to know the spark and flow of the divine power in us all!

A Charm for the Divine Self
I am a kinsman of the Fire
I am a child of the Waters
My flesh is holy, born of the holy union
My Spirit is a drop of the Cauldron of Wonder,
A spark of the Divine Fire.
(Place a hand on the forehead)
The Divine Presence is in my head
(Place hand on heart)
The Divine Presence is in my heart
(Place hand on the loins)
The Divine Presence is in my loins.
(Join hand at the heart)
I do honor to the God of my own soul
Shining spirit of my spirit
Font of Wisdom
Spring of Love
Source of Power
I offer to you the worship due to every God
(Open hands wide)
Honor to the holy being that is the Center of my Self
Shine bright and flow deep in me, I pray!

Thursday, February 5, 2009

Druidic Mystical Practice Pt 4: The Elements of the World

The Elements of the World – the Druidic Macrocosm and Microcosm.

The principle that the greater world (in Irish, bith - ‘what is’) - both material and spiritual - is reflected in the personal body and spirit of the individual is an Indo-European universal. “As above, so below; and as below, so above” the old aphorism says, and we can find plenty of evidence for the principle in Irish lore. The Irish poems describe a correspondence between the parts of the natural world and the parts of the human body and mind. These parts are called the duile, which means ‘elements’ or ‘components'. (See Searles O'Dubhain's key article on the Duile here) There are several traditional lists of these symbols. We will adopt a ninefold model similar to those current in Neopagan Celtic circles.
• Crown of the Head - Starry Heavens
• Brains - Clouds
• Face - Sun
• Mind - Moon
• Breath - Wind
• Blood - Sea
• Hair - Plants
• Flesh - Soil
• Bone – Stone

We can, with a little divide these into the Three Worlds so that:
Land: Plants, Soil and Stone
Sea: Clouds, Wind and Sea
Sky: Heavens, Moon, and Sun.

The source of these correspondences, in the misty past of Indo-European origins, is said to be the myth of the First Sacrifice, in which the First Cosmic Being is offered, or offers itself, on the altar. From the death of that First Being, and from its body and spirit, the cosmos itself is created. In some versions of the tale this is also the beginning of the work of sacrifice itself, in other versions the Killing is more like war or murder, but in every case the world is then made from the bones, blood, breath and mind.
This being the case it is true to say that, regardless of our form, we are all made of one substance. From Gods to gardens, from ourselves to the stars and stones, we are all made of the Holy Flesh of the First Sacrifice. This is the archaic root of the later metaphysical doctrines of the Hermeticists, and the macrocosm/microcosm complex seems as Gaelic as it is renaissance Italian.
In the previous stages of this work we have created a Sacred Pattern of the cosmos - the Two, the Three and the Four, and focused and channeled the world’s flow into our own bodies and lives with the Cauldrons. In this stage we seek to realize the unity of our personal existence with the greater existence of the worlds. Our flesh is the flesh of the world, our spirits are the spirit of the world – and so is everything else.
Most importantly, from a mystical perspective, our personal spiritual nature is, at the deepest point, still one with the spiritual nature that infuses the whole of existence. The First Person became Impersonal Mind, by dying, and by living, we participate in that Mind. By entering deep into our own awareness, by moving past layers of common thought and focusing on patterns of holy symbol, we hope to have the experience of the all-mind, to expand awareness beyond our self and name, beyond our apparent flesh into the mind and flesh of the Divine World.
As in the previous stage, in this exercise you will build the pattern of vision, and then spend time in contemplation of the pattern. This stage becomes rather different – it is relaxing, opening and dissolving to the constructed self, where before the work had been about consciously constructing and using the pattern of self. You may find your complex of Fire and Water, Worlds and Quarters dissolving into the pattern of the world, or you may simply leave it behind for a time as your awareness expands past its limits. In any case upon finishing the meditation on the whole pattern, and opening up to the oneness with the Elements, you will return to your pattern of Two, Three and Four, with the Cauldrons, before closing the work.

Stage 4: The Elements
Bring the Powers into balance again in yourself, remembering your detachment, remembering your lessons, gently and firmly bringing the Two Powers and the Three Cauldrons into a balanced flow. Remember the vision of the Worlds, and become aware of your flesh as well as you spirit as you work the Duile Attunement.
By the following charm you will turn your attention to the elements of the Worlds, one element at a time. As you are learning the exercise feel free to take each section as slowly as you like, meditating on the union, the co-substance, of your individual existence with the much greater world of All That Is.
Today I open myself
To the Elements of the World.

The first triad concerns the Land. Feel your solid flesh sharing its substance with the stones and roots and growing things of the Land, letting it become you, and you, it.
Eternal stone my bones.
My flesh the warm soil,
My hair the green bounty,

The second triad concerns the Sea. Feel the processes of your material life as interchangeable with the great ebbs and flows of the endless deep, letting it become you, and you, it.
The sea my blood,
My breath the wind,
Cool moonlight my mind,

The third triad concerns the Sky. Feel your reason and emotion and spirit shining and turning among your thoughts, like the eternal heavens. Let it become you, and you, it.
The sun my face,
My thoughts the clouds,
The stars behind my eyes.

Feel yourself vanishing into the world, and the world vanishing into you, but all the while, your core of Fire and Water, your Three Cauldrons, remain balanced and firm, even as your awareness opens.
All the world is in me,
And I am in the world.


on to pt 5

Monday, January 19, 2009

Druidic Mystical Practice Pt3: The Three Cauldrons

The first two phases of this sequence, presented below, are so basic to Neopagan meditation and trance that I have had trouble distinguishing 'basic mental training' from 'seeking mystical experience'. The basic methods of the first two phases of this sequence - Open Meditation, Two Powers Attunement and Middle-realm Centering- are preperatory work for almost any ritual or meditative activity. In the next steps we begin to add material that is specifically Celtic or Druidic in origin. Since the real intention of the whole sequence is a mystical one - we mean to link the personal awareness with transpersonal existence - I'm calling the whole sequence by the above new title.

Part 3: Using the Three Cauldrons
In the very small list of remnants of Celtic culture that suggest actual Pagan mysticism or spiritual symbolism the complex of the Three Cauldrons stands out plainly. Based on the medieval Irish poem the
Cauldron of Poesy, we describe three Cauldrons or “boiling places” in the human system, into which the Power of Inspiration can flow and be held. The Cauldrons in each individual may be either empty, half-full or full, and by this is determined how much poetic or spiritual power the individual possesses.
The Three Cauldrons are described as:
1: The Cauldron of Warming, conceived of as located in the belly, is the source of physical and constitutional health and strength. It is born upright in all people, with the potential to be fully filled.
2: The Cauldron of Motion or ‘Vocation’, is conceived of as in the heart. It is the core of the poet’s vision and work, the place where he receives his actual skill and inspiration. It is born in most tipped on its side, able to hold only a portion of the flow.
“The cauldron of motion then, in all artless people is on its lips. It is side-slanting in people of bardcraft and small poetic talent. It is upright in the greatest of poets, who are great streams of wisdom. Not every poet has it on its back, for the cauldron of motion must be turned by sorrow or joy.”
3: The Cauldron of Wisdom is conceived of as in the head. It is the container of the highest spiritual and artistic inspirations. It grants not just poetry but ‘every art’.
The central metaphor for spiritual power or wisdom in the Cauldron of Poesy is Poetic Inspiration. The poet’s ability to produce inspired verse is also his ability to make magic. Throughout this work we will use the metaphor of poetic skill and inspiration as the equivalent of spiritual and magical power, and we will work toward the use of poetry as a core element of ritual and spellbinding.
The majority of the text of the Cauldron of Poesy focuses on the Cauldron of Motion as the vessel that truly holds the poets power. It is born half-tipped, and it is by the deeds and events of human life that it becomes fully upright, able to obtain a full measure of the Mead of Wisdom. In the same way the Cauldron of Wisdom is born tipped on its lip, empty of power, and must be turned. This is described as happening due to powerful emotional events - sorrows and joys - during the course of life.
The Four Sorrows: longing, grief, jealousy and hard travel.
The Joys are said to be twofold: divine joy and human joy. Human joy is fourfold: Sexual delight, physical health, the joy of prosperity from one’s vocation, the joy of success in one’s efforts. Divine joys are the delight of the Blessings of the Gods, and the joy of eating of the Hazels of the Well of Wisdom, as it is said.
These joys and sorrows come from the events of our lives – they are not just from within, but rather they must grow from real experience and relationship with the other. In a modern life, if we have any adventure in us at all, any of that which might make a poet or magician, we will have many of the joys and sorrows described. If we can take them in, process them, boil them up, they become the raw material for our understanding and wisdom.
So in this exercise we use the Cauldrons as anchoring symbols for a wide range of contemplations, focused on our own bodies, lives and spiritual growth. In order to comprehend and digest the joys and sorrows of our lives we contemplate them in formal meditation. By bringing the memory of the events before the mind’s vision, while maintaining the detached perspective of Open Meditation we can process them effectively. So we contemplate in turn the body, the network of our ‘professional’ life, and our spiritual condition.
There’s a word to be said about the presentation of the Cauldron of Motion. In the original poem the heart cauldron is plainly related to the poets life and livelihood, on the deeds that bring inspiration and the rewards of poetic success. For those of us who approach the work intending to be a poet-seer in the old ways, we can simply proceed. For those of us who may have different path in life, whether the warrior or the merchant or another profession, there’s no reason why wisdom and inspiration won’t serve equally well. So we have tweaked the work of the Cauldron of Motion to be more broadly applicable to the ‘vocation’ of whoever might undertake the work.
Fó topar tomseo,
fó atrab n-insce,
fó comair coimseo
con-utaing firse. good is the dwelling of speech,


Good is the well of poetry,

good is the union of power and mastery
which establishes strength.

The Three Cauldrons Attunement
The first two phases of the sequence are performed, the Two Powers are settled into a clear flow in the self, and she establishes herself in her Center. With the Two Powers established in your body, establish thebeginning with your loins.
Envision the Cauldron of Warming low in your Three Cauldrons, belly, see it made of iron, or stone heated by the fire below. intone the name:

Goriath (goh ree ah)
Envision the combined Light and Shadow flowing into your Cauldron of Warming. As it does, open your awareness to your body. Become aware of your flesh and bone, blood and belly and brain, seeking an awareness of your health and wholeness, and, by will, seeing yourself as hale and well in every part.
Envision the Cauldron of Vocation in the heart. See it made of silver and gold, heated be the fire in your heart. Intone the name:
Ernmas (air‘n mahs)
Let the Powers flow into the Cauldron of Movement, and feel your awareness open to your daily life and work, to the deeds and events of your life. Become aware of your place in the world, among kin and folk and the wide world. From the center that is the Cauldron see the webs of relationship and mutuality that hold your life together. See them made strong, whole and helpful.
Envision the Cauldron of Wisdom in your head. See it made of crystal and amber, lit and warmed by the fire above. Intone the name:
Sofhis (so wish)
Let the Two Powers flow into the Cauldron of Wisdom, and open your spirit to your spiritual way and work. As the Fire and Water fill the Cauldron open your mind to the sources of divine awareness in your life. Feel your Allies draw close, and the Divine In You shine and flow, filling you with the Mead of Inspiration.
As you wish, and as you are able, let your mind rest in balance between these three Cauldrons. Broaden your attention to allow the three sets of images to flow and intertwine. In this weaving there may be things to be learned. Understand that these Cauldrons are always in you, always turned or turning, just as the Two Powers always flow in you. Rest and work in this state as long as you like. Conclude with a prayer or gesture of thanks and closure.

on to pt 4

Wednesday, January 7, 2009

Druidic Mystical Practice Pt 2

So, I know that "Grounding and Centering" is a pretty New Agey sort of term. Nevertheless it seems to me a useful one. Almost all systems of ritual meditation use some form that places the meditator at the center of a balnced flow of energies and/or symbols. Hermetics is full of such things, from the Middle Pillar (one of the primary sources for Neopagan exercises) to the famous LBRP. Both Hindu and Buddhist systems employ four-directions centerings.

I feel like I witnessed quite a large segment of the evolution of 'Grounding and Centering' as a part of Neopagan ritual. When I began working Pagan and magical rites we really had no such practice, and Wiccan groups before, say, 1980 seldom had any formal moment of 'induction' of energy flows (or trance) as part of their ritual outline. Of course the classic Circle Casting is itself a detailed centering rite - if approached with any heightened awareness at all it is a solid spiritual ritual. The problem was that the system had no guaranteed way of producing that heightened awareness. That began to change as Pagans adapted techniques from western and eastern systems.

By the middle of the 1980s some form of formal trance induction, usually involving personal empowerment and/or attunement to 'spiritual energies' was standard in neopagan rites. Regardie's Middle Pillar exercise, in which the light from the spiritual 'heavens' is brought down literally into the body through a series of energy-points along a center line from head to heart to loins to feet. The Hermetic Qabalah provides a convenient 3-tiered (or 3+1) model that has been taken up by many systems. The other core method of 'grounding' is the Tree Meditation (which I first used out of Starhawk's work) which involves envisioning 'earth energy' rising into the body through roots, and flowing out like leaves to circulate into the earth. In my neck o' the woods Selena Fox played a large role in introducing 'energy work' meditation as part of ritual, especially public rites. I began my own practice with Regardie, well before my formal Wiccan work, but really got a charge out of the Tree when I started using it. however it lacked a connection with the bright energy of the Sky, and the tree metaphor just made me want sun on my leaves.

ADF's "Two Powers" model grows from these sources, on a practical level. It combines the Waters and the Fire into one seething juice that connects the self deep and high with the cosmos. Fortunately for us, this model conforms well enough to the symbolic complexes of Indo-European Paganism, which often begins with a primal duality. We use the Two Powers mostly as a technique of ritual trance induction, preparing the minds of our often diverse public congregations for the work. However the technique has more personal applications in practical magic and as a spiritual exercise. The exercises presented below begin with the Two Powers and then add a simple four-directions centering. After years of avoiding quartered symbolism as 'too Wiccan' (sigh) it just seems time to admit that it's an Indo-European universal with plenty of Celtic context.
Here are some excerpts from the chapter on Grounding and Centering from the new project. Incidentally, it presently looks like the first wave of the new project will be a chapbook on the big spiritual exercise of which this is stage 2, combined with an article examining various mystical techniques as they might be applicable to a Druidic Pagan system. I expect to have that out by summer, and to post material from each stage here.

Training ­­­the Mind for Druidry - Pt 2
Grounding & Centering, and Contemplation Meditation

The second stage of training the mind begins with the work called ‘grounding and centering”. In that technique we make ourselves aware of a flow of “spiritual energies” in the cosmos, and balance those energies in our own bodies and spirits. We ‘ground’ ourselves by connecting personal reality with a much larger system that can both empower and backup our own work and we ‘center’ ourselves by organizing the flow of energies in ourselves in a symmetrical and balanced way.

There is a serious discussion to be had about how the ancients might have viewed this concept of ‘spiritual energy’, and whether it occurred at all among the Celts. We see a clear model of it in yogic systems from India, and techniques from that cultural range had a wide distribution among the Wise. There are traces in Irish vocabulary that are suggestive, but we must plainly say that we are adapting a modern magical technique to our Druidic cosmology when we use the Two Powers as ‘energies in the body’.

In the work of ADF’s Dedicant Path (and in many other Pagan basic training systems) we address these energies as the Light of the Heavens and the Waters of the Underworld. The Underworld Power is envisioned as the Waters Under the Earth, in which all the wisdom of the past is dissolved. The Power of the heavens is seen as the Light of the Turning Sky, which brings order, pattern and growth. This duality corresponds to cosmic principles, poles of cosmic structure between which the manifest world appears. They reflect a core Celtic cosmological division of the cosmos into two – Fire and Water, Summer and Winter, Day and Night. Of course such a duality is not a moral opposition – summer and winter are lovers as well as warring knights. This work, like all of the work that follows, is in one way a contemplation of the powers and components of our cosmology. By making the macrocosm of the Sacred Cosmos real in our own spirits we hope to gain in personal understanding, and in the spiritual authority that allows us to interact with the Gods as beings of worth.

Working with the Fire and Water is a core technique of Druidic practical magic, but it also serves as a method of spiritual development. Contemplation of the Two Powers begins the process of expanding the personal mind into transpersonal mythic spaces. The Fire and Water are the primal powers of creation. When we take conscious control of the Two Powers, through imagination and will, we are doing in the microcosm what the Gods and Spirits do in the greater cosmos.

The pattern of symbolic meditation based on the Two Powers begins the recapitulation of the mythic cosmos. In the work of Open Meditation we begin with the Unformed, the Chaos from which order arises. With the Two Powers energy-work we begin the process of manifestation, with the appearance of the core Indo-European duality of Fire and Water.

The practical goal of this stage of energy-work (which was begun, we hope, in the Dedicant’s work) is to learn to bring (awareness of) the Two Powers into the self quickly and surely. In our Dedicant training we provided a detailed text induction. In this phase we learn to establish the flow of the Powers with a will and a few breaths. The goal is to create a state in which the Light and the Shadow are flowing and shining in and through the body in a balanced but free-flowing way. From that base any number of specialized forms and applications of the energies can be devised.

In order to be able to spend working time on actual goals, rather than on inductions, the student must learn to find the balanced poise of the Two Powers in a swift and easy way. If you have worked with the Nine Breaths technique, you will be prepared to move to the Three Breaths method. The Kindling Charm is meant to train the body/mind to bring the Powers into balance with the simple recitation of a charm, accompanied by gesture. As you learn the method you may choose to speak the charm slowly, to the rhythm of three breaths. As you gain experience you will be able to bring the desired balanced energy-state with even a quick recitation of the charm, or with an act of will alone.

Three Worlds and Four Quarters
The next phase of the exercise – expressed very simply in a short charm – is the establishment in the mind of the pattern of the manifest world – the Three Worlds and Four Directions. The Two Powers are the ‘vertical axis’ – rooted deep and crowned high. Around this spindle of light and shadow the Wheel of the World turns.
In our Celtic system we see the ‘horizontal axis’ – the plane of the Middle World – as divided both three-fold and four-fold. First we see the manifest world divided into Land, Sea and Sky. These are the primal Celtic (and IndoEuropean) division of the manifest world. In this pattern the land is the world-island on which our lives are grounded. Surrounding the Land is the Ocean-Sea, the all-encompasing saltwaters, and over all the dome of the Sky holds the turning lights.

In this vision you stand in the center of this mythic triad, in the center of the Land in the Center of the Worlds, as it were. The Land itself is further divided with the cross of the Four Directions. While many systems use a quartered circle, ours does not employ the hermetic ‘elements’ of fire, water, air and earth. In this work we use the symbolism of the four Irish provinces, the various paths and stations of human life, distilled into simple terms in the charm.

The ritual text presented below conjures the vision of the vertical axis in just a few words. We also provide some more detailed exercises . If possible it is best to get out under the sky, to stand or sit perhaps upon a hilltop or a rise and work the exercises in a place where the real horizon and forms of the Land can be seen. The impressions and memories from those exercises will bring depth when you work the quick version of the charm.

Contemplation Meditation
In parallel with Two Powers energy-work we begin the next stage of training and focusing the attention and will. In Open Meditation we focus on an essentially empty symbol, such as the breath, and allow thought to flow by without attachment. In Contemplation Meditation you choose a specific pattern or symbol as the focus of your attention. In many cases the symbol – such as the Hallows, or the image of a God – may be physically present. It is also common to contemplate a mental construct image. You visualize, imagine or conceive the symbol in your mind, and observe it as if it were in front of you.

In this exercise the goal is similar to Open Meditation. You intend to keep the symbol always the entire focus of your attention. You may find your mind ‘thinking about’ the symbol – your task is to return attention directly to the object of Contemplation, without attachment to the flow of consideration about it. In this way we hope to allow the reality of the symbol to enter our awareness directly, and deeply. There is always time to think about these matters – meditation is a time set aside for other mental goals.

The technique of Contemplation is core to most of the higher-end of ritual and magical trance. As you work your way through ritual the ability to address each action with a whole and focused mind, to experience each thing for its unique power, is key to effective results. You learn to be in the presence of the Gods themselves, while maintaining the Peace and Power of your own Center. However, we can begin with much more modest goals

Stage 2 Practice: The Shrine, Meditation & the Two
The Druid seats himself in her seat, facing east if possible. If there can be hallowed Fire and Water, so much the better. Begin your breathing pattern. Find your peace, perhaps using the Bone, Breath and Blood method.
Bless the Water and Fire, as you say:

The Fire, the Well, the Sacred Tree
Flow and Flame and Grow in me
In Land, Sea and Sky, Below and on High,
Let the Water be blessed and the Fire be hallowed.

When you are ready, dip your hand in the Water and sprinkle or lave yourself, then pass your hands through the incense or Fire and bring it onto yourself, as you say:

By the Might of the Waters and the Light of the Fire
Cleansed of ill and bane am I
By the Might of the Waters and the Light of the Fire
Blessed in Land and Sea and Sky
As you cleanse and bless yourself, feel the Water and Fire washing and searing away all that’s not in your true pattern of being.
Resume your center and bring the Two Powers into yourself, swiftly allowing the Waters to rise, followed by the descent of the Light, as you do the Kindling Charm:
Cross your hands on your chest and say:

Powers of the Earth and Sky
Rooted deep and crowned high

Place fingers on forehead, chest and loins in turn, bringing the Two Powers smoothly into each, saying:

Flow and kindle in my head
Flow and kindle in my heart
Flow and kindle in my loins


Cross your hands on your chest, feeling the balanced flow of the Two, and say:

Flow and shine in every part.


Remain with hands crossed on the chest or, if you prefer, extend your arms straight from your shoulders. With the Two rising and falling in you, open yourself to the horizontal plane, to the Three Realms of the world, to the Four Provinces of human power. See the Isle of the land on which you stand, the misty Sea that surrounds on all sides, the dome of the Sky overhead. See the signs of the Four Quarters, if you like – the Wand in the West, the Sword in the North, the Plow in the East, the Harp in the South. Hold this contemplation as you say:

The Land upholds me, the Sea surrounds me, the Sky above me.
Before me bounty, behind me wisdom
On my right hand magic, on my left hand strength
Cross hands again on the chest
For the Cauldron is in me.
And I am seated in the Center of Worlds.


At this time you may wish to pause in a Contemplation Meditation in which you compose yourself seating in the center of the Worlds and Realms, with all the Powers at your hand. This meditation can be maintained as long as you wish, simply experiencing the feel of the Pattern of the Worlds around you, with the Fire and Water in you. When you have finished your meditation practice you should make a simple offering to the Spirits. Light an additional offering of incense, and open your heart in welcome to all the Holy Beings. Say:

Gods and Dead and Mighty Sidhe
Powers of Earth and Sky and Sea
By Fire and Well, by Sacred Tree
Offering I give to ye.

Take time to return your awareness fully and completely to your body and material senses. Even as you remember what you may have gained or learned, allow your awareness to return to common life and breath. Before you rise from your seat, pause for a moment and return to your center in peace. Cross your hands on your chest and say:

The blessings of the Holy Ones be on me and mine
My blessings on all beings, with peace on thee and thine
The Fire, the Well, the Sacred Tree
Flow and Flame and Grow in me
Thus do I remember the work of the Wise.


on to pt 3

Saturday, December 27, 2008

Druidic Mystical Practice- Open Meditation


In the course of devising this big outline for a nine-month program of Druidic magico-religious work, I am forced to revisit the basics of meditation training and trance yet again. Despite some efforts on my part, I consider the present ADF Dedicant training in trance and meditation to be barely adequate to get started - I feel a need to require remedial practice at the start of the next level.

I especially intend to require the work of 'silent' meditation, or Open Meditation as I am calling it this week. There has been plenty written about this technique, including by me, but I want to emphasize it in the opening steps of the work. So I've written this little homily and encouragement, and I'll append the basic method and a simple ritual setting for it.

Training the Mind for Druidry – part 1: Open Meditation
In the course of working with students I find a continuing resistance to the systematic practice of basic Open Meditation. By this term I mean the practice of concentrating attention on a single object, such as the breath, while allowing other thought and sensation to flow by the attention without attachment. This technique is basic to further trance and even to ritual work and should be a common part of any program of mental practice. Beginning students, however, do find reasons to balk.
Some seem to find the business of sitting motionless, pursuing nothing except mental activity, to be chafing. To this the only answer can be that any new skill has its basic methods, and most of them involve some inconvenience in early phases. Whether stretching the hands for the piano or lying face down for push-ups, discomfort is often part of learning. So we can only tell students that the results will justify the work of learning to sit motionless. Fortunately for these students a practicing Druid spends rather more time in the trances associated with ritual, than in motionless trance.
Some students mistake this practice for the attempt to ‘stop thinking’. In some of the world’s mystical systems this does seem to be a goal, with great value placed on finding and enhancing the silence between thoughts. Druidic lore doesn’t suggest that the finding of motionless silence is, in itself, a core goal. It seems to occur spontaneously in some students, but it isn’t central to the work.
Rather the point of this method for the system we’re building is the development of a detached observer in the self – a point of observation for all that passes, within or without. The student learns to maintain her equanimity – engage her passions at need and to step away when she must. The work of Pagan spiritual practice can arouse the passions, can stir up ones mental contents. The ability to stand in a place of neutrality and peace offers a special strength in the work of magic, whether it’s dealing with one’s emotions, or facing the Gods.
It is common to confuse basic trance with the work of Open Meditation. They are, in fact, closely related, but there is an important distinction. Basic trance is the primary mental preparation, induced by relaxing the body, focusing the attention and suspending critical observation (or ‘attachment’ as some say). We have taught this state through the Fire and Water induction, and the Bone, Breath and Blood exercise. Either of those exercises, among many other similar forms, produces the focused poise that leads to other trance states.
Open Meditation can be understood as an extension of that poise into a longer experience sustained by will. By directing the concentration upon a single focus – watching the breath being our most usual method – we locate the still point. As our thoughts and impressions flow around us, we keep returning our awareness to the focus as we sit in stillness. By sustaining the relaxation, concentration and detachment of basic trance we allow the mind and emotions to relax in turn, releasing the ‘knots and kinks’ of daily life.
Open meditation is an excellent accompaniment to the regular work of ritual purification. The Water and Fire clear away the spiritual cobwebs and parasites of daily spiritual life in the world. Open meditation deprives your personal inner imps and larvae of their food and weakens their grip.
So we begin the formal work of mental training by learning to abide calmly among our own thoughts and feelings. If no other good were gained from the work of Druidry, the ability to stand at peace amid the swirl of life’s impulses would pay for all. In order to work the system I’m presenting here the student will have to simply choose to set to it, and develop the basic skills that support all further work. We will refer often to the ‘Druid’s Peace” in this work – by this we mean that steady and unmoved center. In addition to this Peace, we will learn a set of active meditations, but the Peace is the basis of them all, because the Peace grants access to the management of the mind by will.
Open meditation is as basic to mental training as aerobic exercise is to training the body. Some students will take to it readily, others may find it more difficult. Its value and results speak for themselves and to neglect it in early training is to deprive yourself of future resources.

Working Open Meditation
First Stage:
• First find your seat, in a position that can be comfortably maintained with your spine straight.
• Begin patterned breathing. Work the Blood, Breath and Bone induction.
• If you wish to work a simple shrine opening, do so now. Practice maintaining basic trance as you speak and do the ritual gestures. Return to motionless basic trance following the work.
Second Stage:
• Choose a point of focus for your concentration. Initially you should continue to use the breath.
• With your attention focused simply sit and maintain that focus. You choose not to give attention to any specific thought that arises, whether about the object of concentration or any other thing. Each time that you notice a thought or specific impression holding your attention, return your attention to the focus. That is the entire basic technique. Like raising an arm or taking a step it is the act of will that brings the attention back to the focus.
• As you practice you will begin to notice more quickly when you have drifted, and be able to hold your concentration on the focus for longer without breaks. This is the first level of success in this practice.
Closing
• Always end the session of meditation formally, with the recitation of a closing charm and/or other formal gesture.

Stage 1: Simple Shrine Blessing and Open Meditation.This first section can always serve as a fall-back, or minimum practice. It can be done daily, even as you add additional work during retreats or more focused workings.
The Druid seats himself in her seat, facing east if possible. If there can be hallowed Fire and Water, so much the better. The body should be kept balanced and alert, while relaxed.
Begin your breathing pattern. Find your peace, perhaps using the Bone, Breath and Blood method.

Bless the Water and Fire, as you say:
The Fire, the Well, the Sacred Tree
Flow and Flame and Grow in me
In Land, Sea and Sky, Below and on High,
Let the Water be blessed and the Fire be hallowed.


When you are ready, dip your hand in the Water and sprinkle or lave yourself, then pass your hands through the incense or Fire and bring it onto yourself, as you say:


By the Might of the Waters and the Light of the Fire
Cleansed of ill and bane am I
By the Might of the Waters and the Light of the Fire
Blessed in Land and Sea and Sky

As you cleanse and bless yourself, feel the Water and Fire washing and searing away all that’s not in your true pattern of being.
Light an additional offering of incense, and open your heart in welcome to all the Holy Beings. Say:


Gods and Dead and Mighty Sidhe
Powers of Earth and Sky and Sea
By Fire and Well, by Sacred Tree
Welcome I do give to ye.

At this time you may wish to pause in open meditation for as long as you wish. In daily practice it can be enough to do the simple cleansing, followed by open meditation.
When your meditative practice is complete, take time to return your awareness fully and completely to your body and material senses. Even as you remember what you may have gained or learned in a working, allow your awareness to return to common life and breath. Before you rise from your seat pause for a mement and return to your center in peace. Cross your hands on your chest and say:


The blessings of the Holy Ones be on me and mine
My blessings on all beings, with peace on thee and thine
The Fire, the Well, the Sacred Tree
Flow and Flame and Grow in me
Thus do I remember the work of the Wise.

on to pt 2